Contents

THE CUSTOM-HOUSE
THE SCARLET LETTER
I. THE PRISON DOOR
II. THE MARKET-PLACE
III. THE RECOGNITION
IV. THE INTERVIEW
V. HESTER AT HER NEEDLE
VI. PEARL
VII. THE GOVERNOR’S HALL
VIII. THE ELF-CHILD AND THE MINISTER
IX. THE LEECH
X. THE LEECH AND HIS PATIENT
XI. THE INTERIOR OF A HEART
XII. THE MINISTER’S VIGIL
XIII. ANOTHER VIEW OF HESTER
XIV. HESTER AND THE PHYSICIAN
XV. HESTER AND PEARL
XVI. A FOREST WALK
XVII. THE PASTOR AND HIS PARISHIONER
XVIII. A FLOOD OF SUNSHINE
XIX. THE CHILD AT THE BROOKSIDE
XX. THE MINISTER IN A MAZE
XXI. THE NEW ENGLAND HOLIDAY
XXII. THE PROCESSION
XXIII. THE REVELATION OF THE SCARLET LETTER
XXIV. CONCLUSION

THE CUSTOM-HOUSE

INTRODUCTORY TO “THE SCARLET LETTER”

It is a little remarkable, that—though disinclined to talk overmuch of
myself and my affairs at the fireside, and to my personal friends—an
autobiographical impulse should twice in my life have taken possession
of me, in addressing the public. The first time was three or four years
since, when I favoured the reader—inexcusably, and for no earthly
reason that either the indulgent reader or the intrusive author could
imagine—with a description of my way of life in the deep quietude of an
Old Manse. And now—because, beyond my deserts, I was happy enough to
find a listener or two on the former occasion—I again seize the public
by the button, and talk of my three years’ experience in a
Custom-House. The example of the famous “P. P., Clerk of this Parish,”
was never more faithfully followed. The truth seems to be, however,
that when he casts his leaves forth upon the wind, the author
addresses, not the many who will fling aside his volume, or never take
it up, but the few who will understand him better than most of his
schoolmates or lifemates. Some authors, indeed, do far more than this,
and indulge themselves in such confidential depths of revelation as
could fittingly be addressed only and exclusively to the one heart and
mind of perfect sympathy; as if the printed book, thrown at large on
the wide world, were certain to find out the divided segment of the
writer’s own nature, and complete his circle of existence by bringing
him into communion with it. It is scarcely decorous, however, to speak
all, even where we speak impersonally. But, as thoughts are frozen and
utterance benumbed, unless the speaker stand in some true relation with
his audience, it may be pardonable to imagine that a friend, a kind and
apprehensive, though not the closest friend, is listening to our talk;
and then, a native reserve being thawed by this genial consciousness,
we may prate of the circumstances that lie around us, and even of
ourself, but still keep the inmost Me behind its veil. To this extent,
and within these limits, an author, methinks, may be autobiographical,
without violating either the reader’s rights or his own.

It will be seen, likewise, that this Custom-House sketch has a certain
propriety, of a kind always recognised in literature, as explaining how
a large portion of the following pages came into my possession, and as
offering proofs of the authenticity of a narrative therein contained.
This, in fact—a desire to put myself in my true position as editor, or
very little more, of the most prolix among the tales that make up my
volume—this, and no other, is my true reason for assuming a personal
relation with the public. In accomplishing the main purpose, it has
appeared allowable, by a few extra touches, to give a faint
representation of a mode of life not heretofore described, together
with some of the characters that move in it, among whom the author
happened to make one.